More than two decades have passed since The World Atlas of Wine made its first appearance. During that time the book that the French supreme wine authority, the Institute National des Appellations d'Origine (INAO), called "a major landmark in the literature of wine" has been hailed by critics all over the world as "extraordinary" and "irreplaceable." Translated into a dozen languages, it has been bought by more than two million people, and commands an unrivaled position as the definitive work for wine lovers, connoisseurs, and professionals alike.

Despite the considerable efforts of competitors around the world, no other wine atlas can match The World Atlas of Wine or claim its cartographic excellence. The translation of this atlas into a dozen languages bears witness to its remarkable success. In his foreword to the third edition, the president of the Office International de la Vigne et le Vin predicted a choice place for the Atlas in every wine expert's or wine lover's library. This fourth edition is set to maintain and enhance its status through a third decade.

Authors of the Wall Street Journal's "Tastings" column about wine, husband and wife John Brecher and Dorothy J. Gaiter have also teamed up to write their memoir, Love by the Glass: Tasting Notes from a Marriage. Gaiter, who's black, and Brecher who's white, grew up in segregated Florida towns and met at the Miami Herald. With warmth and humor, they recall their courtship and wedding, the arrival of children and their long careers as journalists. All the important life passages, from a new job at Newsweek to the birth of their daughter, are marked by memorable bottles, and the couple describes how they went from enthusiasts to collectors to critics. Copyright 2002 Cahners Business Information, Inc.

Quick, what's the correct way to open a wine bottle? Bonus round: what are the 13 grape types permitted in Chateauneuf-du-Pape?

Whatever your score on the above, you're bound to enjoy the Windows on the World Complete Wine Course. Subtitled Millennium Edition, this 14th annual update is again authored by Kevin Zraly, founder and teacher of the Wine School, begun in 1976 as an offshoot of New York's Windows on the World restaurant. On 200 colorful and clutter-free pages full of maps, wine labels, and sidebars full of facts and anecdotes, Zraly acts as your Sherpa through eight classes. Chapters 1 through 3 circumnavigate the white wines of France, the New World, and Germany; 4 through 8 explore the reds of France, California, Iberia, Australia, and South America, concluding with a section on champagne, port, and sherry.

Whether you're a true cork dork or someone who doesn't know their Alsace from their elbow, you could certainly do worse than pressing your nose up against these windows on the world.

For everything there is a season, and in the world of wine the calendar is defined by bud break, fruit set, harvest, and the arrival of the latest edition of Hugh Johnson's Pocket Wine Book. Celebrating the sale of more than 7 million copies of editions spanning a quarter century, the 2002 publication provides an updated addition to the prestigious and prolific wine writer's popular series of pocket-sized reference books. With delineated chapters--some merely a page long--Hugh Johnson's Pocket Wine Book: 2002 follows a standard format: wine trend prognostication, a brief description of the current vintage (here the 2000 harvest), a reexamination of 1999, glossary of grape types, and food and wine matches. The book's bulk is composed of an alphabetical listing of short entries--mostly wineries--subdivided within geographical chapters. Johnson can be stylish, even witty (a lively Vernaccia pairs well with a dish of grey mullet: not the one "on the heads of aging rock stars"), but aside from the opening few pages, there's a decidedly ghostwritten feel to the proceedings. Indeed, the acknowledgments list over 40 "kind friends," including several regionally based wine writers, for their "special knowledge," most notably of some smaller producers. But for someone of Hugh Johnson's stature, to allow, once again, in the 2002 edition the Syrah grape to be identified as identical to Petite Sirah--friends, kind or not, shouldn't let friends get away with that sort of thing.

Though it drinks deep of its subject, Karen MacNeil's Wine Bible deftly avoids two traps many wine books fall into: talking down to wine novices or talking up to more experienced enophiles. The book avoids these traps through MacNeil's obvious, and infectious, love of her subject, which comes out in almost every sentence of the book, and which lets her talk about wine in a way that combines the good teacher, the trusted friend, and the expert sommelier. As director of the wine program at the Culinary Institute of America in Napa Valley, California, MacNeil is one of the world's true experts on wine. After reading a chapter on the Burgenland, for example, you've learned about the region's sweet wines while feeling like you're actually there, toasting a glass of Cuvee Suss with the author. It is this passion that leads to describing an Italian riservas as "mesmerizing" and a Cabernet Sauvignon as having "texture like cashmere."

The Wine Bible is broken into countries, hitting all of the major wine producers and most of the minor ones. Each section gives detailed descriptions of the country's wines (with chapters on individual regions when necessary), highlighting specific wine producers and individual wines, as well as talking about local foods, customs, and other tidbits that add to the reading experience. MacNeil begins her journey through the world's wine with an invaluable section on "Mastering Wine," which lets a reader get ready before uncorking separate sections.